At his death in 1992, the eminent philosopher, critic, and theorist Louis Marin left, in addition to a dozen influential books (including "Sublime Poussin," Stanford, 1999), a corpus of some three hundred articles and essays published in journals and anthologies. A collection of twenty-two essays that appeared between 1971 and 1992, this book interrogates the theory and practic...(展开全部)

At his death in 1992, the eminent philosopher, critic, and theorist Louis Marin left, in addition to a dozen influential books (including "Sublime Poussin," Stanford, 1999), a corpus of some three hundred articles and essays published in journals and anthologies. A collection of twenty-two essays that appeared between 1971 and 1992, this book interrogates the theory and practic...(展开全部)

At his death in 1992, the eminent philosopher, critic, and theorist Louis Marin left, in addition to a dozen influential books (including "Sublime Poussin," Stanford, 1999), a corpus of some three hundred articles and essays published in journals and anthologies. A collection of twenty-two essays that appeared between 1971 and 1992, this book interrogates the theory and practic...(展开全部)

In this companion volume to "Iconology", the author extends his investigation to pictures - the concrete, representational objects in which images appear. Although we have many words about pictures, Mitchell notes that we do not yet have a satisfactory theory of them. What we have is a variety of disciplines - semiotics, philosophical inquiries into representation, new departur...(展开全部)

W. J. T. 米切尔（W. J. T. Mitchell），芝加哥大学盖罗德·多奈利杰出贡献讲座教授，任教于芝加哥大学英语语言文学系与艺术史系，兼任《批评研究》（Critical Inquiry）编辑。 译者 兰丽英，女，陕西师范大学文学院文艺 学专业硕士毕业，研究方向为西方文论。

In this companion volume to "Iconology", the author extends his investigation to pictures - the concrete, representational objects in which images appear. Although we have many words about pictures, Mitchell notes that we do not yet have a satisfactory theory of them. What we have is a variety of disciplines - semiotics, philosophical inquiries into representation, new departur...(展开全部)

W. J. T. 米切尔（W. J. T. Mitchell），芝加哥大学盖罗德·多奈利杰出贡献讲座教授，任教于芝加哥大学英语语言文学系与艺术史系，兼任《批评研究》（Critical Inquiry）编辑。 译者 兰丽英，女，陕西师范大学文学院文艺 学专业硕士毕业，研究方向为西方文论。

In this imaginative new work, Adam Lowenstein explores the ways in which a group of groundbreaking horror films engaged the haunting social conflicts left in the wake of World War II, Hiroshima, and the Vietnam War. Lowenstein centers Shocking Representation around readings of films by Georges Franju, Michael Powell, Shindo Kaneto, Wes Craven, and David Cronenberg. He shows th...(展开全部)

This book fully recognizes the aestheticism inherent in historical writing while acknowledging its claim to satisfy the demands of rational and scientific inquiry. Focusing on the notion of representation and on the necessity of distinguishing between representation and description, it argues that the traditional semantic apparatus of meaning, truth, and reference that we use f...(展开全部)

安克斯密特（Franklin Rudolf Ankersmit），荷兰人，1945年生，现任格罗宁根大学思想史与史学理论教授，当代最著名的历史哲学家之一。主要研究领域是美学、历史哲学和政治哲学，著述多种并被翻译为十几种语言。 主要著作有： 《叙述的逻辑》（1983） 《历史与转义》（1994） 《美学的政治学》（1997） 《历史表现》（2001） 《政治表现》（2001） 《崇高历史经验》（2005）